Showing posts with label Writing Process. Show all posts
Showing posts with label Writing Process. Show all posts

Thursday, February 16, 2023

Variety of Tone: Does it have to be R or X Rated to be Considered Adult?

 


    I link this quote mainly because in most stories? Aimed at adults in particular? They want every element explained even if the setting is Superheroes Punching Dinosaurs. What old school books like Narnia have in spades:

  • Consistency
  • Adventure
  • Straightforward Origins 
    Motivations are plain. Good vs Evil. I value consistency moreso than Explaining everything under the hood of the setting. I listed Uplift Protocol as Rated R for two primary reasons: There is some cursing due to the Murphy Jar Joke. Star herself doesn't curse. But those around her will ever so often. That is a deal breaker for some readers based on reviews I've seen. They weren't warned about cursing or implied situations and they wanted to find books that cater more towards their kids. Say 10-16. 

    Two: Cosmic Horror Elements. A good chunk of my badguys esp the void walkers have elements that would fit in the Alien or Event Horizon movie. But unlike those movies I have more implied creepy crawling a decent chunk of the time. Hilary's on page physical transformation from her human form to Keeper form was one of the blatantly creepy moments. So I auto listed it beyond even PG-13. 

    I even asked my readers what they would list it as. R-rating was the primary response. 

    The Felstaff Mysteries will be PG. Even more lighthearted than the good guy portions of Uplift Protocol. (Heavily taking theme pages from Narnia) because not everything needs R rated or X rated elements. Even most of Uplift's Novellas are lighter in tone much like the earlier mainline books. But I plan on having the final book be the "tie a bow" on it ending. Book 11 even has a preview of the end slate Universe that is planned by the Oversoul. 

    Grimdark offerings often go to 11 to showcase the depravity of the world. In UP? I mostly imply the horrid factor of the villains. I let human imagination fill in the gaps. It's why they aren't showcased as often as the heroes of my series. Its a preference I have. In the modern age? R rated usually ends up throwing in everything + the kitchen sink of: Blood, Guts, Gore, In your Face bedroom setups. I imagine that modern offerings would likely be X-rated during my parents day or grandparents day are showcased as R. 

    You can still go R level without being overwhelmingly gratuitous. If you want the TL;DR. 

    Even a fair amount of the Superversive offerings I read do have R rated elements but they usually don't go to Berserk level about it. Its easier to find everyone's take on a grimdark world. What stands out to me is when someone goes in the opposite direction. A setting that is made to be hopeful or heroic is an oasis in the seas of Grim and Dystopia. 

    Most don't even go to the level I did with Uplift Protocol. In terms of an Open Trust Society. 

    Hope brings more to the table for my Willing Suspension of Disbelief than not.

Even though this game here is well built? Even after playing for 10 hrs or so? I know it won't have a hopeful ending. Which is why I am taking a break. It has R rated elements but they aren't over the top in most cases.


    If you are to implement "deconstructionist" elements? Leave them in a world you primarily label as post apoc or dystopian. It means you will be surfing in a beyond flooded market. Much like YA or Romances. Bloated beyond belief. Most websites don't have a decent way to list themes of books or even elements to add/avoid.


I do appreciate that the Superhero network site added a Tone Tag: Light.

I realize many, even if they have heroic work in their books, will add "adult roofing". But appeal to adults shouldn't always = Lets add blood, sex, snark, and cursing for the heck of it. The Fantastic elements need not be constrained to our world physics either. 

    It's why we need variety in writers. Don't just try to cash in on trends.

    Otherwise I'll have another set of "themes or elements" to try to "-" out of my Amazon search misadventures. PS: The "Grimdark" settings that seem to stand out will have a lighter element running through them. Like Brotherhood or A moment of quiet in the storm. The Hero Finds a New Family. That sort of angle. A reason to live beyond the pain inherent in that kind of setting.

    
    

Wednesday, June 23, 2021

Writing: Entry 1

Since I am in the process of Learning:

Examples of Writing setups that really assisted in me understanding rather annoying aspects!

Passive Vs Active Voice.

 

Edit: I think its most important to add passive voice when needed. Active when needed. If you do all in "ONE mode" over the others, it will get monotone. Lots of writing advice doesn't really cover the idea of adding Tools to the toolbox. Granted, my overall distaste for many writing rules comes from people prioritizing VISUAL mediums to be adapted from books rather than books themselves. 

So I hope some of this helps other people. As I go through my writing development and processes.

Show "Stab me in the EYE" Don't Tell aka the "golden rule" that gets shot into the sun by me. I keep going back to Pulp on Pulp and The FILTER Words setup instead. Because a great bulk of the examples online for this infuriating POS setup is aimed towards VISUAL PRIMARY Mediums. Like TV/Movies. Screen writing rather than books. 


Pulp on Pulp: Tips and Tricks for Writing Pulp Fiction by [Kit Sun Cheah, Misha Burnett, JD Cowan, Matthew P. Schmidt, James A. Buck, Morgon Newquist, Anthony Perconti, Robert Stultus, D. G. D. Davidson, Christopher Lansdown] 

That's right! Get it here: Click! Invaluable in my opinion  

But really? LORD OF THE RINGS.

"The gasping pools were choked with ash and crawling muds, sickly white and grey, as if the mountains had vomitted the filth of their entrails upon the lands about. High mounds of crushed and powdered rock, great cones of earth fire-blasted and poison-stained, stood like an obscene graveyard in endless rows, slowly revealed in the reluctant light." --Describing Mordor.

This much more clear. But books can go beyond mere VISUAL. I think people have gotten so used to video games and comics that they don't imagine things as strongly as they used to. They want everything spelled out/Visualized to a minute detail. Its why you get 1000 page molasses books (imho) 

The Telling Example of that Passage:

‘Frodo was horrified by the landscape – every rock formation reminded him of gravestones and there were foul smells and eerie sights at every turn.’

Me? I think that telling is just fine. I usually only "SHOW" when I find something I want the reader to  key in on specifically! Some enjoy purple prose everywhere. Like the old Rhapsody series books.But this article does bring up decent examples (FROM BOOKS) mind you. And questions:

5: How to show, not tell: Ask yourself about the purpose of each scene

Thing is: SCENE! It still prioritizes VISUAL MEDIUMS.

Rhapsody: Child of Blood (The Symphony of Ages Book 1) by [Elizabeth Haydon]

I'm a working stiff: I want to get through a good amount of story in say 20-30 mins before work. So sprinkle to make that story move at a lighting pace. (My PREFERENCE!)

Sprinkle description, dialog, action, thoughts of the character's about the pages. I do Telling in many of the Quotes that open each issue of Uplift Protocol. Or in short bursts of exposition in-between the dialog and action. I don't have tons of description in my books for the moment because my mindset is: 

Use a light brush and have the reader fill in the gaps. Use that imagination! 

Its why Ill skip over stuff like Wheel of Time level descriptions. I can imagine fantastical landscapes with fewer words. The WRITER's job, esp with books, is to give me (THE READER) a spring board onto a canvas I can fill in myself. I want to actively engage my imagination. Just give me the bare bones. Ill fill in the blanks. 

Its my preference. Its why this:

Works for me: CJ's narration is much faster. He only SHOWS when its supposed to move the plot forward. The 2nd example? The Showing MAKES the NARRATIVE move at a snail's pace to me.

The 2nd is trying to hard to be a movie. Imho. A whole lot of books cater towards the 2nd example by far. Since most readers want the physical sensations paramount. Sensory primary. When at their heart. Books are about TELLING stories. 

I got the framing stuff from AEON 14, I like how Cooper will set the stage with location. Rather than tons of description.

This lets me get into the  action faster! I like that a whole lot.

 



Links: Here

CJ's Eternal Journey:  Here

Aeon 14: Here

The Twitter Source: Here